Some recording, a new piece, and a bursary

I’m writing this while eating a Cadbury’s Dairy Milk. Raising a glass and a half to the taste of world-beating excellence. Please, American Kraft people (and I know you’re reading this blog…), don’t change it. Although I’m still a bigger fan of Quality Street than Roses. Just saying.

Last weekend I was recording with New Dublin Voices – Christmas music – in St Ann’s church on Dawson Street. It’s a lovely church to sing in but it was really cold. We did two sessions (usually three hours between meals in the biz) on both Saturday and Sunday and a rehearsal session on the Friday night, too. Needless to say, by the Sunday I was better prepared, piling on the layers and swapping the shoes-with-a-slight-heel that were recommended to me for singing in for my scruffy-but-comfortable trainers. I also used a music stand both days which saved me having to hold the music the whole time. The recording was produced by Bill Sommerville-Large and he was very good to work with. He guided us through the process and made clear suggestions as to where singers should be positioned. He has a wonderful ear and I’m looking forward to hearing the recordings, which we hope to put out on CD after the summer.

On Sunday, during one of the breaks between takes, I sidled over to the piano and my fingers fell onto a chord – hands centred just either side of middle C, right hand on a 2nd inversion Bb triad, left hand on a 1st inversion Eb triad. It sounded quite beautiful to my ears and over the next few hours I kept slipping back to the keyboard. “That’s the start of my new choral piece!”, I joked to those nearby. There was something cooking, though, and by the time we were packing up, I had a strong sense that this really was a new piece. At home I played it over a number of times, finding another section…

The next day I was in search of a text. I really like the poems of Dennis O’Driscoll but leafing through a volume of his work proved fruitless. Nothing suited the feel of this music. I took myself out to a local cafΓ© for a cup of tea and grabbed a book on the way – a book of Celtic Verse given to me for my birthday a few years ago. I knew some things about the text I as looking for: it had to have quite short lines and it had to start on the upbeat. I forget the poetry term…<consults Stephen Fry’s excellent book ‘The Ode Less Travelled’>…ah, yes, it’s iambic. Mr Fry also includes a rather nice chocolate reference:

GOLDEN RULE ONE – reading verse can be like eating chocolate, so much more pleasurable when you allow it slowly to melt inside you, so much less rewarding when you snap off big chunks and bolt them whole, all but untasted.

Well, dear reader, I found it. The one. A poem that not only suited my chosen metre but, when I got it home and played it at the piano, seemed to compliment the music beautifully. The piece was finished! I can still hardly believe it. I spent the next day typing it into Sibelius and preparing scores for the choir to sing through it at our rehearsal. Everyone seemed to like it. Here is the poem, by Villiers de L’Isle-Adam (1838-1889):

Confession

Since I have lost the words, the flower
Of youth and the fresh April breeze . . .
Give me thy lips; their perfumed dower
Shall be the whisper of the trees!

Since I have lost the deep sea’s sadness,
Her sobs, her restless surge, her graves . . .
Breathe but a word; its grief or gladness
Shall be the murmur of the waves!

Since in my soul a sombre blossom
Broods, and the suns of yore take flight . . .
O hide me in thy pallid bosom,
And it shall be the calm of night!

My other big task for this week was completing my application for a bursary award from the Arts Council. It would be so great to get it but I’m not going to get my hopes up because only two applicants out of ten have been awarded in the last couple of years. Gathering together the support material made me realise how much stuff I have but also how unclear that is on the website. I plan to do a page with all the recordings I’ve done, with lyrics and a link to a score on Sibelius where possible.

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