This weekend, New Dublin Voices took part in a production of ‘Singin’ In The Rain’ at the National Concert Hall. It was a full week of rehearsals starting with the conductor, John Wilson, putting us through our paces on Monday evening before we went along to the full orchestral rehearsals during the week. It was a wonderful experience—I really enjoyed sitting beside the bass clarinet player, having done a lot of orchestral clarinet playing in university. Being inside the orchestra was great. John Wilson reconstructed the score, the original having been tragically consigned to landfill many years ago. (In an article I read in Classic FM magazine with John, he also sadly notes that a lot of the music libraries of the big studios were destroyed. There was nothing for it but to literally write it all out again. It must’ve been a mammoth task!) The RTÉ Concert Orchestra were augmented with a rhythm section (piano, guitar, bass, drums) and, behind us on stage, a full saxophone section. They had some really lovely moments in the score, providing that close-harmony sound that only saxes can do. Seriously, it was a real treat sitting in the middle of it all and watching the realisation of this sublime music.
Here’s the sequence from the film for ‘Moses Supposes’, which the amazing dancers did pretty much step-for-step at the NCH:
A couple of my friends posted links to this video, too. Jaw-droppingly good. Danny Macaskill is to a trail bike what Gene Kelly is to tap shoes.