Check out the ten songs shortlisted for the Song of the Year 2016. I have to confess I don’t know most of them, but I’m going to have a listen and see what I think. Let me know your thoughts in the comments here or tweet me: http://twitter.com/jaywilsonmusic
Tag Archives: Spotify
‘Hide and Seek’ video by Irish barbershop quartet, 4 in a Bar
I visited this room for the first time only last week — the City Assembly House, just beside the Powerscourt Townhouse on Dublin’s South William Street. It’s a beautiful, surprising, melancholic space and it works as a perfect backdrop here, an extra character in 4 in a Bar’s video for ‘Hide and Seek’.
Spin me round again…
…walls where pleasure moments hung before…
Like their Facebook page to encourage further beautiful things from this group: 4 in a Bar
Review | Flecks – Girl
What a thoughtful review! It’s so exciting to see this EP making its way into the world. Can’t wait to play the songs live again soon, can’t wait to write more (we’re aiming for another few singles over the summer).
Have a listen. We’d really appreciate a ‘follow’ on Spotify — click the three dots beside any of the song titles and click ‘Go to Artist’, then click the ‘follow’ button.
We’re also on iTunes (your purchase would help pay for the mastering and uploading).
You can find us — @weareflecks — on Facebook, Twitter, Instagram, SoundCloud, YouTube…
Drop us a comment and say hi 🙂
The Last Mixed Tape reviews Girl, the debut extended play from Dublin based synth-pop act Flecks.
Atmosphere is a word I often use in reviews, and the thing about atmosphere is that it’s incredibly difficult to build one and even more difficult for it to be believable. Such is the case with a the dramatic synth atmosphere of Flecks’ Girl.
“Nothing’s every gonna feel like it was when you were that stupid girl at the back of youth hall crying” sings vocalist Freya Monks during the E.P’s opener and title track. I’d like to take a moment to point out exactly how important this lyric is the rest of the record’s success. In the space of one line, we get a sense of where we are, where we were and where we don’t want to be. This made all the more relatable by the inclusion of “girl at…
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