Yesterday I was digitally leafing through Tobias Matthay’s book, ‘The Visible and Invisible in Pianoforte Technique’. I picked up on a key motivation behind his teaching: people were playing too hard. It’s easy to imagine a generation of amateur musicians attempting to recreate the “loudness” of, say, Rachmaninov by simply playing harder. Matthay would rather that pianists learned to play much much softer.
I’ve been practising a lot in these first months of 2021 – mostly the first 5 Goldberg variations – on my Yamaha Clavinova. I tend to have the volume kind of low so as not to disturb the neighbours (and Jen, trying to work from the next room). It struck me after reading Matthay that I’m definitely playing hard. With lots of wasted effort. What if I turned up the volume and tried to play softer? (There’s also a sensitivity setting on the Clavinova – low, medium, and hard – which allows the illusion of more resistance from the keyboard itself.)
It occurs to me that the vast majority of my students don’t have real pianos at home. Most of the beginners don’t even have weighted keys. I’m interested to see what it will mean for my own playing and for my teaching to focus on the development of wider-ranging dynamic levels. We’re back into school and real-life lessons on Thursday, so my students (and I, too!) will be back in front of a real piano again. First lesson…let’s take the front off and see how this thing works…
Tobias Matthay was an educational writer, composer, and professor of pianoforte at the Royal Academy of Music from 1884-1925.