Category Archives: composition

Review | Flecks – Girl

What a thoughtful review! It’s so exciting to see this EP making its way into the world. Can’t wait to play the songs live again soon, can’t wait to write more (we’re aiming for another few singles over the summer).

Have a listen. We’d really appreciate a ‘follow’ on Spotify — click the three dots beside any of the song titles and click ‘Go to Artist’, then click the ‘follow’ button.

We’re also on iTunes (your purchase would help pay for the mastering and uploading).

You can find us — @weareflecks — on Facebook, Twitter, Instagram, SoundCloud, YouTube…

Drop us a comment and say hi 🙂

The Last Mixed Tape

FlecksThe Last Mixed Tape reviews Girl, the debut extended play from Dublin based synth-pop act Flecks.

Atmosphere is a word I often use in reviews, and the thing about atmosphere is that it’s incredibly difficult to build one and even more difficult for it to be believable. Such is the case with a the dramatic synth atmosphere of Flecks’ Girl.

“Nothing’s every gonna feel like it was when you were that stupid girl at the back of youth hall crying” sings vocalist Freya Monks during the E.P’s opener and title track. I’d like to take a moment to point out exactly how important this lyric is the rest of the record’s success. In the space of one line, we get a sense of where we are, where we were and where we don’t want to be. This made all the more relatable by the inclusion of “girl at…

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I started off today resenting Jimmy Fallon and went on a glorious journey

I thought I knew what I was going to do this morning. There are definitely things that I *should* have done, but I got terribly, wonderfully sidetracked.

I saw a tweet to a Joe.ie article about Michael Stipe performing ‘The Man Who Sold The World’ on The Tonight Show. I was intrigued – I perform that song when I play in The Candlelight Bar. If you haven’t already watched it, take a look:

I wondered who the piano player was. I wondered even more when I realised that he was accompanying Michael Stipe as an equal, with an obviously classical sensibility, not as some background chord player supporting a star. There was a notated arrangement on the music stand of the piano, it was a nice piano, it was a beautifully played, sensitive accompaniment.

A quick Twitter search gave me the answer, it was a composer called Paul Cantelon. His name wasn’t mentioned at all on the show, which really irked me. The various ‘articles’ that attach themselves to pieces of content like this did their usual job of contributing nothing. Jimmy Fallon is obviously a music fan, too, but it was an unusual moment for his show. The pop world has taught us not to acknowledge the musicians that accompany singers (either solo artists or band members). I felt bad for Cantelon when Fallon came over at the end and just impolitely ignored him.

Paul Cantelon is a fascinating character, as I just discovered by listening to a wonderful podcast conversation between him and Joseph Arthur. (I hope you can listen, as it’s on SoundCloud, which is currently changing its access model…) It’s a remarkable series of stories over two and a half hours(!), and what emerges is a picture of a fascinating life and the gracious, humble musician who has lived it. He grew up as a child of an evangelical preacher, was publicly shamed by Pierre Boulez at the age of 11, spilled hot chocolate over sheet music notated by Ravel, swung a piano into a 12th century Parisian church window, attended the 1st Church of the Surf, had an awkward encounter with Nina Simone, was in a coma for three weeks… Funny, charming, poignant, and profound. I thoroughly, thoroughly recommend you take a listen.

In a weird way, Jimmy Fallon’s rudeness did me a great service. If Paul’s name had just been noted in the blurb at the bottom of the video, I’d not have found out about him. Such is the world we live in. “Oh right, that’s that bit of information, I’ll hurry on.” This might not be that moment for you – it’s supremely unlikely that you will have anything like the connection and experience I’ve had this morning with this person I never knew before. That’s the joy of life, the joy of autobiography, of story-telling, of honesty, of seeking meaning and beauty and creativity.

Here’s a Spotify link to one of his compositions for the film ‘Effie Gray’.

Advent calendar: 18

This month saw the 150th anniversary of the birth of Finnish composer, Jean Sibelius. His music exists on the outskirts of the classical music mainstream, but his symphonies and symphonic poems are really wonderful. The opening of the 2nd symphony impacted me greatly when I first heard it as a teenager. It was part of ‘The Great Composers’ series that my dad collected. Finlandia, Sibelius’s best known work, contains this beautiful chorale melody that was used as a setting for the iambic pentameter of the hymn ‘Be still, my soul’. It occupies the rather risqué position of number 666 in the Church of Ireland hymnal, but it certainly contains some of the most poignant lyrics:

Be still, my soul: when dearest friends depart,
and all is darkened in the vale of tears,
then shall thou better know his love, his heart,
who comes to soothe thy sorrow and thy fears.

I played it on the organ at St Ann’s on Remembrance Sunday, 11 November, 2012. I took lessons that year from Charlie Marshall, the organist at St Ann’s. Finlandia is a good one for beginners, as it can be done effectively using just the manuals.

We also sang it at my dad’s funeral seventeen years ago this month. It was his favourite hymn.

Advent calendar: 14

Behind today’s window is the angel Gabriel, no less 👼 This is an arrangement for piano that I did of the carol ‘Gabriel’s Message’. (Click that link to go to my original post, where you’ll find the SoundCloud player. You can download the track by clicking the arrow in the top right corner of the player.)

The angel Gabriel from heaven came,
His wings as drifted snow, his eyes as flame;
‘All hail,’ said he, ‘thou lowly maiden Mary;
Most highly favoured lady — gloria!’

‘For known a blessed mother thou shalt be,
All generations laud and honour thee,
Thy son shall be Emmanuel, by seers foretold;
Most highly favoured lady — gloria!’

Then gentle Mary meekly bowed her head,
‘To me be as it pleaseth God,’ she said,
‘My soul shall laud and magnify his holy name.’
Most highly favoured lady — gloria!

Of her, Emmanuel, the Christ was born
In Bethlehem, all on a Christmas morn,
And Christian folk throughout the world will ever say:
Most highly favoured lady — gloria!

S. Baring-Gould (1834-1924)

Advent calendar: 13

(So I’ve missed a few – I’ll fill in the gaps next year!)

Today, I’ve made a tutorial video for a piece that you might recognise from Greg Lake’s moody Christmas hit, ‘I Believe In Father Christmas’. It’s called ‘Troika’ and was written by the Russian composer Sergei Prokofiev and is in his ballet ‘Lieutenant Kije’. This easy piano arrangement was done by the prolific composer and arranger Pauline Hall and is one of the 2016 Preliminary exam piano pieces set by the Royal Irish Academy of Music.

Troika is the Russian word for three-of-a-kind and here depicts a team of three horses pulling a sleigh.

Enjoy!

Advent calendar: 7

Today I’ve got two great Christmas tunes for beginner piano players to enjoy — ‘Let It Snow! Let It Snow! Let It Snow!’ and ‘Frosty The Snowman’. This video will help you learn them by heart (there’s no music reading required). Have fun, and get everybody to join in and sing with you at Christmas time 🙂

Click here for more information on my music teaching.

Advent calendar: 3

Juuuust sneaking in ahead of the deadline for this one today! I’m deviating from the Christmas theme a bit in honour of the fact that today marks the 50th anniversary of the release of ‘Rubber Soul’ by The Beatles. Their sixth album, and probably my favourite of theirs.

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Workers at EMI factory in Hayes, Middlesex, packaging Rubber Soul, 1965

I recorded this on my Yamaha Clavinova and used an app called Drumgenius for the drums. Check it out, musicians, if you’d like to replace your metronome with more interesting beats. There are over 400 loops on it now. You get three free when you download the app and then you can buy bundles (10 for €0.99, 50 for €2.99).

The arrangement is from a book called ‘The Beatles for jazz piano’: eleven classic Beatles songs arranged in jazz style by Steve Hill.

Click on the image below to view it on Amazon:

Please like and share 🙂