Tag Archives: arrangement

Check out this classic American march arranged for ukulele

I used to play clarinet in a marching band when I was growing up in Northern Ireland. We’d have these ring-bound books that clipped onto our instruments using special attachments so we could play while marching along. We played a lot of tunes by the great American composer John Philip Sousa (Monty Python fans will be familiar with ‘The Liberty Bell’, which was used as the signature music to the cult British sketch show).

Jen and I saw ‘The Post’ last week, so maybe that’s why this particular tune jumped out at me when I was idly searching for a tune to work on. The film stars Meryl Streep and Tom Hanks and retells the proud history of the newspaper’s stand against Nixon’s administration.

Sousa was asked to write a march in 1889 for The Washington Post’s essay contest awards ceremony (read all about it in this article by Post writer John Kelly) and he came up with this piece, which apparently was great for dancing the two-step.

I hope you enjoy my ukulele arrangement! It uses a style of playing called campanella that has been a bit of a revelation to me in my approach to the instrument. If you want to find out more, seek out Jonathan Lewis’s YouTube channel and his website jons-ukulele.com.

Being snowed in these past few days, thanks to Storm Emma, has meant I got it finished. Check out my video — the tabs are here, too, if you’re interested.

ukulele tabs PDF

My ukulele arrangement of John Philip Sousa's march, 'The Washington Post'.

€5.00

Man in the Mirror

I accompany the Gardiner Street Gospel Choir each Sunday evening at the 7.30pm mass in St Francis Xavier’s Church on Gardiner Street. This Sunday was a special service to celebrate the centenary of the birth of Joseph Wresinski, who strongly believed that “extreme poverty is the work of mankind and only mankind can destroy it”. He founded the organisation ATD Fourth World in the 1950s and it continues to bring the voices of the world’s poor to the corridors of power.

Take a moment and read the last letter he wrote before he died in 1988:

last-letter-jw-1988

We sang Michael Jackson’s song ‘Man in the Mirror’ (written by Siedah Garrett and Glen Ballard) after the mass as a special tribute to Wresinski’s legacy.

Such a great track (sidenote: there are apparently two versions in the new Lego Batman movie). The outro is just fantastic. The choir (The Andraé Crouch choir, The Winans, and Siedah Garrett), the synth bass, the whole thing in a slightly other world at the end. The song’s key change lifts us from G major up to A flat major (listen how the electric piano sound is switched out at that point for a grand piano…Greg Phillinganes really lets loose!). The whole last section rests on a variety of the IV chord – D flat sus 2 – which provides the ‘open’ feeling. The bass that punctuates every six bars rather than eight, as we might expect, and this also destabilises the listener. You just have to relax into it. The singers are so confident, though, as is the bass…it leans us out over the edge of the chord, starting on a B flat, but draws us strongly back in…B flat, F, C, A flat, D flat. So satisfying! I love that the song stays in this place right to the end. Michael’s final urging to ‘make that change’ flies off at the end with infinite possibility.

I started off today resenting Jimmy Fallon and went on a glorious journey

I thought I knew what I was going to do this morning. There are definitely things that I *should* have done, but I got terribly, wonderfully sidetracked.

I saw a tweet to a Joe.ie article about Michael Stipe performing ‘The Man Who Sold The World’ on The Tonight Show. I was intrigued – I perform that song when I play in The Candlelight Bar. If you haven’t already watched it, take a look:

I wondered who the piano player was. I wondered even more when I realised that he was accompanying Michael Stipe as an equal, with an obviously classical sensibility, not as some background chord player supporting a star. There was a notated arrangement on the music stand of the piano, it was a nice piano, it was a beautifully played, sensitive accompaniment.

A quick Twitter search gave me the answer, it was a composer called Paul Cantelon. His name wasn’t mentioned at all on the show, which really irked me. The various ‘articles’ that attach themselves to pieces of content like this did their usual job of contributing nothing. Jimmy Fallon is obviously a music fan, too, but it was an unusual moment for his show. The pop world has taught us not to acknowledge the musicians that accompany singers (either solo artists or band members). I felt bad for Cantelon when Fallon came over at the end and just impolitely ignored him.

Paul Cantelon is a fascinating character, as I just discovered by listening to a wonderful podcast conversation between him and Joseph Arthur. (I hope you can listen, as it’s on SoundCloud, which is currently changing its access model…) It’s a remarkable series of stories over two and a half hours(!), and what emerges is a picture of a fascinating life and the gracious, humble musician who has lived it. He grew up as a child of an evangelical preacher, was publicly shamed by Pierre Boulez at the age of 11, spilled hot chocolate over sheet music notated by Ravel, swung a piano into a 12th century Parisian church window, attended the 1st Church of the Surf, had an awkward encounter with Nina Simone, was in a coma for three weeks… Funny, charming, poignant, and profound. I thoroughly, thoroughly recommend you take a listen.

In a weird way, Jimmy Fallon’s rudeness did me a great service. If Paul’s name had just been noted in the blurb at the bottom of the video, I’d not have found out about him. Such is the world we live in. “Oh right, that’s that bit of information, I’ll hurry on.” This might not be that moment for you – it’s supremely unlikely that you will have anything like the connection and experience I’ve had this morning with this person I never knew before. That’s the joy of life, the joy of autobiography, of story-telling, of honesty, of seeking meaning and beauty and creativity.

Here’s a Spotify link to one of his compositions for the film ‘Effie Gray’.

Advent calendar: 18

This month saw the 150th anniversary of the birth of Finnish composer, Jean Sibelius. His music exists on the outskirts of the classical music mainstream, but his symphonies and symphonic poems are really wonderful. The opening of the 2nd symphony impacted me greatly when I first heard it as a teenager. It was part of ‘The Great Composers’ series that my dad collected. Finlandia, Sibelius’s best known work, contains this beautiful chorale melody that was used as a setting for the iambic pentameter of the hymn ‘Be still, my soul’. It occupies the rather risqué position of number 666 in the Church of Ireland hymnal, but it certainly contains some of the most poignant lyrics:

Be still, my soul: when dearest friends depart,
and all is darkened in the vale of tears,
then shall thou better know his love, his heart,
who comes to soothe thy sorrow and thy fears.

I played it on the organ at St Ann’s on Remembrance Sunday, 11 November, 2012. I took lessons that year from Charlie Marshall, the organist at St Ann’s. Finlandia is a good one for beginners, as it can be done effectively using just the manuals.

We also sang it at my dad’s funeral seventeen years ago this month. It was his favourite hymn.

Advent calendar: 13

(So I’ve missed a few – I’ll fill in the gaps next year!)

Today, I’ve made a tutorial video for a piece that you might recognise from Greg Lake’s moody Christmas hit, ‘I Believe In Father Christmas’. It’s called ‘Troika’ and was written by the Russian composer Sergei Prokofiev and is in his ballet ‘Lieutenant Kije’. This easy piano arrangement was done by the prolific composer and arranger Pauline Hall and is one of the 2016 Preliminary exam piano pieces set by the Royal Irish Academy of Music.

Troika is the Russian word for three-of-a-kind and here depicts a team of three horses pulling a sleigh.

Enjoy!

Advent calendar: 3

Juuuust sneaking in ahead of the deadline for this one today! I’m deviating from the Christmas theme a bit in honour of the fact that today marks the 50th anniversary of the release of ‘Rubber Soul’ by The Beatles. Their sixth album, and probably my favourite of theirs.

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Workers at EMI factory in Hayes, Middlesex, packaging Rubber Soul, 1965

I recorded this on my Yamaha Clavinova and used an app called Drumgenius for the drums. Check it out, musicians, if you’d like to replace your metronome with more interesting beats. There are over 400 loops on it now. You get three free when you download the app and then you can buy bundles (10 for €0.99, 50 for €2.99).

The arrangement is from a book called ‘The Beatles for jazz piano’: eleven classic Beatles songs arranged in jazz style by Steve Hill.

Please like and share 🙂

Advent Calendar: 1

I’m going to post something every day of Advent!

First up is something special that I’ve been meaning to get done for aaaages. It’s a piano arrangement of the Christmas classic, Winter Wonderland, written in 1934 by Felix Bernard (lyrics by Richard B. Smith). I wrote this at the request of one of my piano students at the time, Chloe. A big, big thank you to my friend Mark Summers and his father, Ian, for their advice on the musical typesetting.

So, please have a listen 🙂 The mp3 is downloadable, so feel free to add it to your Christmas playlists! Just click the little ‘down arrow’ at the top right of the SoundCloud player below.

If you’re a piano player, the sheet music is available in PDF format at my online music store – click here to go directly to the score. I’d really love you to share this with friends, too.

Gabriel’s Message — solo piano

I really like this melody (it’s a Basque carol) and I find its subject matter, the angel Gabriel appearing to Mary, one of the most interesting episodes in the Gospels. Like a lot of the stories of Jesus’ genesis, it’s not dealt with in *all* the gospels. Matthew, after his lengthy family tree (*this* is what the bible’s editors ran with for the opening of the New Testament…?!), outlines quite clearly the rather delicate situation that the young couple found themselves in, concerning this surprise pre-nuptial pregnancy, but doesn’t go into the specifics of ‘The Annunciation’. Mark, the breathless, bounding lion of a writer that he was, skips it and everything to do with Jesus’ early life. As does John (although he wins for best introduction). Luke, the doctor, the man of learning, he gives us everything we know about Mary’s bizarre encounter.

“Greetings, favoured one! The Lord is with you.” But she was much perplexed by his words and pondered what sort of greeting this might be.

She’s perplexed at his angelically formal hello (fair enough), but he hasn’t even got to the good part yet…!

Many artists have painted the scene throughout the ages. The one I’ve chosen is by Carl Heinrich Bloch, a prominent 19th century Danish painter. The light effect is incredible. (The original hangs in Denmark’s national museum in Frederiksborg Castle, north of Copenhagen.)

PS If you’re listening on headphones, or on good speakers, marvel at the beautiful sound of the Nord Stage piano sound (I’m using one that’s sampled from a Steinway Model D). Especially the harmonics and overtones on the ‘most highly favoured lady’ phrase.

Winter Wonderland piano arrangement

Happy Christmas! This is a jazzy arrangement of ‘Winter Wonderland’ that I did last year for one of my piano students, Chloe, just as I was finishing up my teaching and preparing to embark on this year’s Post Tropical adventure. I’ve made it downloadable, so feel free to add it to your seasonal playlists…!

I’ve also revamped my website, so this is also an announcement of that. Feel free to ‘share’ and ‘bookmark’ and ‘like’ and ‘follow’ in the spirit of holiday cheer!!!

Much exclamation 🙂