I’ve been teaching about diminished chords in the last couple of weeks – they appear in a Grade 1 RIAM piece called ‘Lame Duck’ and also in the third section of Beethoven’s ‘Für Elise’. Here’s a quote from Barry Harris:
People react to a lot of things. What I’ve found they really react to is diminished notes. See, ’cause, if you play diminished notes with something, it’ll sound like it’s wrong. And people…the ears of people react to wrong. The audience reacts to wrong. And what you have to do, you have to throw that little ‘wrong’ in, then you make it right, that messes them up. But you got their attention; it’s real weird, too, it’s really true. They’re real funny about that. People can react to a wrong note, “now I say, do you hear that, he’s playing a wrong chord in that song”. But you make it right then they don’t know what to think. So you have to fool people and people will gasp.
from a Frans Elsen film of a Barry Harris workshop at the Royal Conservatory in The Hague
Title from the beautiful Beatles song, ‘Fixing A Hole’. Paul’s adlib vocal line over the last chorus hits all kinds of jazzy notes, there’s a harpsichord, George’s guitar parts are tasty tasty, and it has the breezy mood that’s so wonderfully prevalent in a lot of Paul’s songwriting.
Juuuust sneaking in ahead of the deadline for this one today! I’m deviating from the Christmas theme a bit in honour of the fact that today marks the 50th anniversary of the release of ‘Rubber Soul’ by The Beatles. Their sixth album, and probably my favourite of theirs.
Happy Christmas! This is a jazzy arrangement of ‘Winter Wonderland’ that I did last year for one of my piano students, Chloe, just as I was finishing up my teaching and preparing to embark on this year’s Post Tropical adventure. I’ve made it downloadable, so feel free to add it to your seasonal playlists…!
I’ve also revamped my website, so this is also an announcement of that. Feel free to ‘share’ and ‘bookmark’ and ‘like’ and ‘follow’ in the spirit of holiday cheer!!!