Breaking radio silence

It has been too long! Jen and I have just moved house and yesterday the nice man from chorus ntl came and installed my lovely new 12Mb connection (we’ll see how that works out, but it’s pretty zippy; eircom’s top package is only 3Mb). What’s with all these internet providers and their lower case names?! I am partial to a bit of lower case myself, it must be said.

Lots has happened over the last couple of weeks:

  • spent a lovely weekend in Donegal, like Mediterranean lovely! I brought the guitar along and my book of Michael Hedges transcriptions. Have discovered an out-of-tune fret on my guitar which I’ll have to get the guys in the shop to have a look at.
  • New Dublin Voices went on a trip to France to compete in the 37th Florilège Vocal de Tours. We had a crazy time getting there – our 6.25am flight was diverted to Lille…driver we’d booked wouldn’t wait or drive to get us…the coach company had made us pay in full in advance…we had to splash out for the TGV to Tours…!! After all that we had to perform in the qualifying rounds once we got there. Amazingly we got through to the final of the class for choirs of 14-24 singers, disappointingly losing out to choirs from Iceland and Ukraine. (Apparently it’s not ‘THE Ukraine’). We did, however, win a special prize for performance of a new work: Enda Bates’s mesmeric Sea Swell. Here’s a recording of the piece that Enda made last week in the Unitarian church on Stephen’s Green where we rehearse:  Here’s a recording, too, of our performance of Poulenc’s Hodie Christus natus est in the final:  Such a good weekend and I’m sure there’ll be pictures soon. It was, as ever, good to hear other choirs and to get to spend a bit more time together as a group 🙂
  • Last night NDV undertook the mammoth task of recording all the pieces we worked on for the competitions this term. We had the use of the Church of Ireland’s educational centre chapel, which has a lovely acoustic and gave us the aural gratification necessary to get us through the sixteen-odd pieces! I took the opportunity to try out my new Zoom H4 recording device and it’ll be interesting to hear how it compares to the more expensive mics that Derby was using to record us.

photographs from Navan

This is a slightly more involved process than we usually like in internet world, but there are some great shots at the end of the journey…

  • go to Barry Cronin’s photography portal
  • enter your name and email address to gain access
  • click on the ‘Thumbnails’ tab at the top right of the page
  • use the navigator at the top left of the page to go to page six (…then seven, then eight)
  • the photos of New Dublin Voices are numbered from 217 to 233

I must work on being more interesting while singing, clearly! I only made it into one picture – 225.

two gigs in three days with Hamlet

On Monday I played at The Song Room with Hamlet (which is sadly having its last session next week – hopefully an appreciative venue can be found soon). For the first time we had Barry playing double bass with us, which is a great addition to the tunes. I brought my beast of a keyboard along and played that, the piano in the pub being unplayably out of tune, unfortunately; I also played cajon and clarinet and added some harmony vocals.

I’m really enjoying this multi-instrumenting at the moment. We played:

  • Sunshine
  • Mr Slim
  • El Capitane
  • Street lights
  • I am a man
  • The Una Molloy hangover song
  • Hey girl
  • Boogie man
  • Perfect day

‘El Capitane’, ‘I am a man’ and ‘Hey girl’ are all new since the last gig. ‘El Capitane’ reminds me of the Gorillaz a bit with its lazy groove, semi-chanted confrontational lyrics, and “…da, da, da dada dadaaa…” refrain. ‘I am a man’ is a down and dirty bluesy slice of masculine proclamation that is great fun to play: I switched to the electric piano 2 sound on the P200 for the punchy, descending chords of the riff. ‘Hey girl’ is an out-and-out pop song with Hamlet’s characteristically charming lyrical style painting a delightful, carefree picture of a ‘Before Sunrise‘-type relationship. This one we played totally stripped down, Hamlet playing and singing and me singing, humming and clapping.

Hamlet kindly let me do a couple of my own songs and I did ‘Make it home’ on the piano and ‘Face in a frame’ on the guitar. Franzi got some good shots and I got a warm round of applause and some nice compliments. These are my two best songs, I reckon, and it’s been great to play them a good bit over the last few weeks. Next thing is to record them…

I was impressed by the band on after us – Lisa McLaughlin and a couple of talented chaps on guitars and assorted other instruments: flute, melodeon, glockenspiel. They created a variety of really effective accompanying textures for Lisa’s vocals using an impressively portable setup. I envied them somewhat with my gargantuan keyboard.

Wednesday night was Hamlet’s gig in Whelans Upstairs. Barry joined us again and we played a good set – more able to settle in and enjoy the music now we were more familiar with playing the songs together.

  • Is she real
  • El Capitane
  • Sunshine
  • Mr Slim
  • Street lights
  • Canary in a coalmine
  • I am a man
  • Buy this song
  • The Una Molloy hangover song
  • Perfect day
  • The boogie man
  • Why must love die
  • Hey girl (ooh la la)

The new songs went down well, and the crowd enjoyed the night. Great fun!

choir of the year

New Dublin Voices travelled to Navan on Sunday for the Bord Na Móna Choral Festival. We were entered for three competitions: the popular music competition, the living composer competition and the Choir of the Year competition.

In the popular music competition we sang Sing a song of sixpence by John Rutter and Drive my car (an arrangement by the Swingle Singers of the Beatles’ opener from their ‘Rubber Soul’ album). We were delighted to win the first prize.

The living composer competition was held in the Church of Ireland building, which had a much nicer acoustic than either the community hall where the poplar music competition was held or, indeed, the Solstice arts centre that the festival has been held in for the last two years. We performed a piece we’d premièred at a concert in Trinity college chapel in January, Enda Bates‘s Sea Swell. The piece is written for four choirs of soprano, alto, tenor and bass, positioned at corners of the room. It starts with a notation of the sound of the tide on a beach, moving throughout the sixteen parts and growing in intensity until a series of notes is picked out in the female voices. A number of other melodies are passed and overlapped between the singers and the effect is very mesmeric. We enjoyed performing the piece and it was fun to see the audience twisting and turning while trying to figure out where all the sounds were originating from! Next we performed Ian Wilson‘s setting of the e.e. cummings poem nine(birds)here. This went better than it had in Cork – it’s one of the more difficult pieces we sing in terms of the richly dissonant writing – and we were again delighted to win the first prize in the first year of this competition class. It was interesting to hear some of the other pieces, too. I particularly liked a piece written by Martin O’Leary (who was present) called donna nobis which was impressively performed by three students of NUI Maynooth.

After some well-needed carvery food at the hotel next door and some more practice we went back over to the church to sing in the main ‘choir of the year’ competition. We were up against some excellent groups from various parts of Ireland and, when it came time for the adjudication to be announced we were all really impressed and wouldn’t have minded not winning (well, maybe…). We had performed our two most exciting pieces: Wade in de water, with its foot-stamping build-up in the middle, and Iuppiter, which left us all completely drained with its relentless drama and sheer density of texture. The last two pages of Iuppiter consist of hammering semiquavers in all (eight) parts, everyone intoning the names of Jupiter (“…TonansStatorVictorIuppiterPluviusSummanusCaelestis…”) in a barrage of sound that culminates in everyone chanting louder and louder in free rhythm until there comes a pause and we all forcibly whisper “Iuppiter!” in unison. When it works, the effect is electric…and it worked on Sunday! The prizes were announced in reverse order – distinctions went to Grovesnor choir from Belfast and Enchiriadis from Malahide; second prize to Vocare, a fledgling ensemble from Wexford who were great crack and are definitely ones to watch. By this stage the tension was almost unbearable in our stuffy gallery seats as we flashed excited looks to each other. When the affirmative pronouncement came we exploded into cheers, reserving a extra big one for when Bernie went up to collect the cup. Onwards now to the competition in Tours in a couple of weeks!

in the “stu”-dio

This morning Stuart and I worked on a recording he’s making of Jill’s cracking song ‘Sweet September’. It’s starting to sound really good and we put down some acoustic guitar parts (my favourite jangly, open-string type stuff) and some electric guitars. We also fiddled a bit with the drum programming.

Stu was remarking that it’s such good fun to work on a strong song; Jill has had great success with ‘Sweet September’ at gigs and sings it really well. I’m looking forward to hearing the finished version. Not sure what her plans are but hopefully she’ll let me put it up here…

Sigur Rós for Impact Romania concert

St Andrew’s church on Westland Row was a splendid venue for this concert of some of the music of Icelandic band Sigur Rós. The huge interior of the church and its beautiful resonant acoustic meant that the string quintet (3 vln, vla, c.), piano, electric bass and percussion could support Aisling Dexter’s impressive vocals with little or no amplification; the building suited the expansive, minmalist music very well, lending a quiet austerity. A highlight was a song from another Icelandic phenomenon, Björk’s Joga from her Homogenic album, Miss Dexter obviously relishing the more expressive vocal line.

Pianist, Brian Denvir, had done an excellent job of transcribing and arranging the parts for the group, all of whom are members of the Dublin University Orchestral Society.

Sigur Rós concert by DU Orchestral Society

sing six songs and make friends

New Dublin Voices made the annual pilgrimage to Cork this weekend for the International Choral Festival. Although we didn’t have any luck impressing the judges this time, it was a really fun weekend. We sang four pieces in the big competition:

  • Nicolette – Ravel
  • nine(birds)here – Ian Wilson
  • Unser leben währet siebnzig jahr – Schein
  • Iuppiter – Michael Ostrzyga

The choir that won, Consono from Köln in Germany, were the choir that Iuppiter was written for and, in a flurry of slight inebriation and giddy exuberence, we aurally assaulted the innocent bystanders at the festival club on Sunday evening by singing the piece all together. Great fun, although in retrospect perhaps a little out of place amongst the piano-keys neckties and close-harmony jazz sounds of the festival club…! Down in the bar earlier we had great fun singing The King’s Singers’ Humpty Dumpty (a piece we performed at last year’s festival) with Molto cantabile from Switzerland, who sang it this year with some great choreography.

We also performed, as all the international competition choirs did, in the gala concert. By this stage we knew that we hadn’t won anything and so, with a kind of joyous indignation, we put our all into the two pieces:

  • Wade in de water – Allen Koepke
  • Drive my car – Lennon & McCartney, arr. Simon Lesley

We haven’t got any pictures from the weekend yet (and hopefully there’ll be some video footage made available, too) but here’s a recording that was made of us last year singing a piece called Rotaļa by Juris Karlsons:

performance, teaching, composition & reviews